The Borodino-class battlecruisers (Russian: Линейные крейсера типа «Измаил») were a group of four battlecruisers ordered by the Imperial Russian Navy before World War I. Also referred to as the Izmail class, they were laid down in late 1912 at Saint Petersburg for service with the Baltic Fleet. Construction of the ships was delayed by a lack of capacity among domestic factories and the need to order some components from abroad. The start of World War I slowed their construction still further, as the imported components were often not delivered and domestic production was diverted into areas more immediately useful for the war effort.
Three of the four ships were launched in 1915 and the fourth in 1916. Work on the gun turrets lagged, and it became evident that Russian industry would not be able to complete the ships during the war. The Russian Revolution of 1917 halted all work on the ships, which was never resumed. Although some consideration was given to finishing the hulls that were nearest to completion, the three furthest from completion were sold for scrap by the Soviet Union during the early 1920s. The Soviet Navy proposed to convert Izmail, the ship closest to completion, to an aircraft carrier in 1925, but the plan was cancelled after political manoeuvring by the Red Army cut funding and she was eventually scrapped in 1931. (Full article...)
Poltava was salvaged after the Japanese captured Port Arthur and incorporated into the Imperial Japanese Navy. The ship, renamed Tango in Japanese service, participated in the Battle of Tsingtao in late 1914, during World War I. She was sold back to the Russians in 1916 and renamed Chesma as her original name was in use by another battleship. The ship became the flagship of the Russian Arctic Flotilla in 1917, and her crew supported the Bolsheviks later that year. Chesma was seized by the British in early 1918 when they intervened in the Russian Civil War, abandoned by them when they withdrew and scrapped by the Soviets in 1924. (Full article...)
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A Finnish Maxim M/09-21 machine gun crew during the Winter War
The Winter War was a war between the Soviet Union and Finland. It began with a Soviet invasion of Finland on 30 November 1939, three months after the outbreak of World War II, and ended three and a half months later with the Moscow Peace Treaty on 13 March 1940. Despite superior military strength, especially in tanks and aircraft, the Soviet Union suffered severe losses and initially made little headway. The League of Nations deemed the attack illegal and expelled the Soviet Union from its organization.
The Soviets made several demands, including that Finland cede substantial border territories in exchange for land elsewhere, claiming security reasons – primarily the protection of Leningrad, 32 km (20 mi) from the Finnish border. When Finland refused, the Soviets invaded. Most sources conclude that the Soviet Union had intended to conquer all of Finland, and cite the establishment of the puppet Finnish Communist government and the Molotov–Ribbentrop Pact's secret protocols as evidence of this, while other sources argue against the idea of a full Soviet conquest. Finland repelled Soviet attacks for more than two months and inflicted substantial losses on the invaders in temperatures as low as −43 °C (−45 °F). The battles focused mainly on Taipale along the Karelian Isthmus, on Kollaa in Ladoga Karelia and on Raate Road in Kainuu, but there were also battles in Salla and Petsamo in Lapland. (Full article...)
Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
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A Soviet postage stamp from 1959. The stamp celebrates growth in the chemical industry. During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive.
Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)
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Extent of Ali Bey and Zahir's territory between 1768 and 1774 and Russian naval movements in the Levant, based on the accounts of Sauveur Lusignan, a contemporary historian Beirut was twice occupied during the Russo-Turkish War of 1768–1774 by squadrons of the Imperial Russian Navy's Mediterranean Fleet, first in June 1772 and second from October 1773 to early 1774, as part of its Levant campaign. Russia's main objective in this campaign was to assist local forces led by Egypt's autonomous ruler, Ali Bey al-Kabir, who was in open rebellion against the Ottoman Empire.
Russia, led by Catherine the Great, was pressing the Ottomans in Europe. Ali took advantage of the Empire's preoccupation with Russia to declare Egypt's independence; in 1771 he sent an army led by Muhammad Bey Abu al-Dhahab to occupy Ottoman territory in the Levant. Abu al-Dhahab unexpectedly returned to challenge Ali for control of Egypt. Ali requested Russian military assistance against both his rival and the Ottomans. When this aid, in the form of a small Russian squadron, arrived in the region, Ali had already fled Egypt and taken refuge in Acre, the power base of his ally, Zahir al-Umar. After helping repel an Ottoman offensive on Sidon, the Russian squadron sailed for Beirut. They bombarded the town in June 1772 and occupied it from June23 to 28. (Full article...)
Of mixed Russian and French heritage, Trubnikova was orphaned at an early age and subsequently raised by a wealthy relative. She married at 19, and she and her husband, Konstantin, had seven children. In adulthood, Trubnikova hosted a women-only salon in Saint Petersburg which became a center of feminist activism. She also maintained international connections to fellow feminists in England, France, and other countries. Alongside Anna Filosofova and Nadezhda Stasova, whom she mentored, Trubnikova was one of the earliest leaders of the Russian women's movement. (Full article...)
Nadezhda Vasilievna Stasova (Russian: Надежда Васильевна Стасова; June 24 [O.S. June 12] 1822 – October 9 [O.S. September 27] 1895) was a prominent Russian educator, activist, and feminist of the 19th century.
Stasova was born into a noble and wealthy family; Tsar Alexander I of Russia was her godfather, and she received extensive private tutoring as a child. After experiencing family tragedy and personal disappointment as a young woman, she dedicated herself to women's education and economic empowerment. Alongside Anna Filosofova and Maria Trubnikova, Stasova was one of the earliest leaders of the Russian women's movement. Together, the three friends and allies were referred to as the "triumvirate". (Full article...)
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Tennessine is a synthetic chemical element; it has symbolTs and atomic number 117. It has the second-highest atomic number and joint-highest atomic mass of all known elements and is the penultimate element of the 7th period of the periodic table. It is named after the U.S. state of Tennessee, where key research institutions involved in its discovery are located (however, the IUPAC says that the element is named after the "region of Tennessee").
The discovery of tennessine was officially announced in Dubna, Russia, by a Russian–American collaboration in April 2010, which makes it the most recently discovered element. One of its daughter isotopes was created directly in 2011, partially confirming the results of the experiment. The experiment itself was repeated successfully by the same collaboration in 2012 and by a joint German–American team in May 2014. In December 2015, the Joint Working Party of the International Union of Pure and Applied Chemistry (IUPAC) and the International Union of Pure and Applied Physics (IUPAP), which evaluates claims of discovery of new elements, recognized the element and assigned the priority to the Russian–American team. In June 2016, the IUPAC published a declaration stating that the discoverers had suggested the name tennessine, a name which was officially adopted in November 2016. (Full article...)
The sculpture depicts a female personification of Russia, commonly referred to as Mother Russia. She wears a windswept shawl resembling wings, and holds a sword aloft in her right hand. Her left hand is extended outward, as she calls upon the Soviet people to battle. The statue was originally planned to be made of granite and to stand only 30 metres (98 ft) tall, with a design consisting of a Red Army soldier genuflecting and placing a sword before Mother Russia holding a folded banner. However, the design was changed in 1961 to be a large concrete structure at nearly double the height, a decision that was subject to criticism from Soviet military officials and writers. It was inspired by the Winged Victory of Samothrace, an ancient Greek sculpture of the goddess of victory, Nike. (Full article...)
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Largest European specimen, a male at Südostbayerisches Naturkunde- und Mammut-Museum, Siegsdorf
The woolly mammoth (Mammuthus primigenius) is an extinct species of mammoth that lived from the Middle Pleistocene until its extinction in the Holocene epoch. It was one of the last in a line of mammoth species, beginning with the African Mammuthus subplanifrons in the early Pliocene. The woolly mammoth began to diverge from the steppe mammoth about 800,000 years ago in Siberia. Its closest extant relative is the Asian elephant. The Columbian mammoth (Mammuthus columbi) lived alongside the woolly mammoth in North America, and DNA studies show that the two hybridised with each other. Mammoth remains had long been known in Asia before they became known to Europeans. The origin of these remains was long a matter of debate and often explained as being remains of legendary creatures. The mammoth was identified as an extinct species of elephant by Georges Cuvier in 1796.
The appearance and behaviour of this species are among the best studied of any prehistoric animal because of the discovery of frozen carcasses in Siberia and North America, as well as skeletons, teeth, stomach contents, dung, and depiction from life in prehistoric cave paintings. The woolly mammoth was roughly the same size as modern African elephants. Males reached shoulder heights between 2.67 and 3.49 m (8 ft 9 in and 11 ft 5 in) and weighed between 3.9 and 8.2 t (3.8 and 8.1 long tons; 4.3 and 9.0 short tons). Females reached 2.3–2.6 m (7 ft 7 in – 8 ft 6 in) in shoulder heights and weighed between 2.8–4 t (2.8–3.9 long tons; 3.1–4.4 short tons). A newborn calf weighed about 90 kg (200 lb). The woolly mammoth was well adapted to the cold environments present during glacial periods, including the last ice age. It was covered in fur, with an outer covering of long guard hairs and a shorter undercoat. The colour of the coat varied from dark to light. The ears and tail were short to minimise frostbite and heat loss. It had long, curved tusks and four molars, which were replaced six times during the lifetime of an individual. Its behaviour was similar to that of modern elephants, and it used its tusks and trunk for manipulating objects, fighting, and foraging. The diet of the woolly mammoth was mainly grasses and sedges. Individuals could probably reach the age of 60. Its habitat was the mammoth steppe, which stretched across northern Eurasia and North America. (Full article...)
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King Władysław II Jagiełło, detail of the Triptych of Our Lady of Sorrows in the Wawel Cathedral, Kraków
Anna Pavlovna Filosofova (Russian: Анна Павловна Философова; néeDiaghileva; 5 April 1837 – 17 March 1912) was a major Russian feminist and activist of the 19th and early 20th centuries.
Born into a wealthy, noble family, she married Vladimir Filosofov at a young age; they had six children. Initially concerned with the plight of serfs, Filosofova became a feminist in the late 1850s after joining the salon of Maria Trubnikova, who educated her on the subject. Alongside Trubnikova and Nadezhda Stasova, Filosofova was one of the earliest leaders of the Russian women's movement. Together, the three friends and allies were referred to as the "triumvirate". They founded and led several charitable organizations designed to promote women's cultural and economic independence, such as the Society for Cheap Lodgings and Other Benefits for the Citizens of St. Petersburg. Filosofova served as the president of that organization for several years. (Full article...)
Little was known about the effects of spaceflight on living creatures at the time of Laika's mission, and animal flights were viewed by engineers as a necessary precursor to human missions. The experiment, which monitored Laika's vital signs, aimed to prove that a living organism could survive being launched into orbit and continue to function under conditions of weakened gravity and increased radiation, providing scientists with some of the first data on the biological effects of spaceflight. (Full article...)
Sadko is a character in the Russian medieval epic Bylina. An adventurer, merchant and gusli musician from Novgorod, Sadko becomes wealthy with the help of the Sea Tsar, but is thrown in the sea when he fails to pay the Sea Tsar his due respects. This story was widely adapted in the 19th century, including in a poem by Alexei Tolstoy and an opera by Nikolai Rimsky-Korsakov.
Shown here is Sadko in the Underwater Kingdom, an 1876 painting by Ilya Repin. It depicts Sadko meeting the Sea Tsar under the sea.
A map detailing the events of the 2008 South Ossetia war, which began one year ago today, when Georgia launched an operation in the disputed region of South Ossetia. Ossetian, Russian, and Abkhazian forces ejected the Georgian forces after five days of heavy fighting. All parties reached a ceasefire agreement on August 12, and Russian troops remain stationed in Abkhazia and South Ossetia to this day.
The Last Day of Pompeii is an oil painting on canvas completed by the Russian artist Karl Bryullov between 1830 and 1833. The painting is based on sketches the artist completed in 1828 while visiting Pompeii, a city destroyed by the eruption of Mount Vesuvius in 79 AD. It is now held in the State Russian Museum.
The Great Coat of Arms of the Russian Empire, as presented to Emperor Paul I in October 1800. The use of the double-headed eagle in the coat of arms (seen in multiple locations here) goes back to the 15th century. With the fall of Constantinople and the end of the Byzantine Empire in 1453, the Grand Dukes of Moscow came to see themselves as the successors of the Byzantine heritage, a notion reinforced by the marriage of Ivan III to Sophia Paleologue. Ivan adopted the golden Byzantine double-headed eagle in his seal, first documented in 1472, marking his direct claim to the Roman imperial heritage and his assertion as sovereign equal and rival to the Holy Roman Empire.
An Alaskan parchment scrip banknote in the denomination of 1 ruble, printed on vellum or parchment by the Russian-American Company. On the obverse, the horizontal text immediately beneath the double-headed eagle reads "Seal of the Russian American Company". The oval text reads "under august protection of His Imperial Majesty", and under the oval is the value of the note "one ruble".
Alaskan parchment scrip was used as a form of company scrip in Alaska when it was a possession of the Russian Empire. In circulation from 1816 to 1867, such scrip could be printed on vellum, parchment, or pinniped skin. Denominations of 10, 25, 50 kopecks and 1, 5, 10, and 25 rubles were issued.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
A Chechen man prays during the First Battle of Grozny, January 1995. The flame in the background is coming from a gas pipeline which was hit by shrapnel.
A painting depicting Ivan Tsarevich, one of the main heroes of Russian folklore, riding a magic carpet after having captured the Firebird, which he keeps in a cage. This work was Viktor Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from Russian folklore.
The Sukhoi Superjet 100 is a modern fly-by-wiretwin-engineregional jet with 8 to 108 passenger seats. Development began in 2000; the aircraft had its maiden flight on 19 May 2008 and entered commercial service on 21 April 2011. This aircraft is seen flying off the coast of Italy near Sanremo.
An aerial view of the Field of Mars, a large park in central Saint Petersburg, Russia, pictured in 2016. It is named after Mars, the Roman god of war. The park's history goes back to the 18th century, when it was converted from bogland and named the Grand Meadow. Later, it was the setting for celebrations to mark Russia's victory over Sweden in the Great Northern War. Its next name, the Tsaritsyn Meadow, appears after the royal family commissioned Francesco Bartolomeo Rastrelli to build the Summer Palace for Empress Elizabeth. It became the Field of Mars during the reign of Paul I. Towards the end of the 18th century, the park became a military drill ground, where they erected monuments commemorating the victories of the Russian Army and where parades and military exercises took place regularly. After the February Revolution in 1917, the Field of Mars became a memorial area for the revolution's honoured dead. In the summer of 1942, as the city was besieged by the German army in the Siege of Leningrad, the park was covered with vegetable gardens to supply food. An eternal flame was lit in the centre of the park in 1957, in memory of the victims of various wars and revolutions.
A late nineteenth-century photochrom of a reindeer sled, Arkhangelsk, Russia. Reindeer have been herded for centuries by several Arctic and Subarctic people including the Sami and the Nenets. They are raised for their meat, hides, antlers and, to a lesser extent, for milk and transportation.
Saint Michael's Castle is a former royal residence in the historic centre of Saint Petersburg, Russia. It was built for Emperor Paul I between 1797 and 1801, and named after Saint Michael, the patron saint of the royal family. Constructed like a castle around a small octagonal courtyard, the four facades were built in different architectural styles, including French Classicism, Italian Renaissance and Gothic. The emperor was assassinated in the castle forty days after taking up residence. After his death, the imperial family returned to the Winter Palace and the building was transferred to the Russian Army's Main Engineering School. In 1990, it became a branch of the Russian Museum, and now houses its portrait gallery.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
Kikin Hall, commissioned by Alexander Kikin in 1714, is one of the oldest buildings in Saint Petersburg. Incomplete at the time of Kikin's execution, the building was seized by the Russian crown and used for a variety of purposes. In the 1950s, Irina Benois arranged for the restoration of the dilapidated building. It is now home to a music school.
... that the obedience to orders and dogged resistance of the Russian infantry at the Battle of Golymin in 1806 greatly impressed Napoleon and his army?
A Pozharsky cutlet served with mashed potatoes, mushroom sauce and sliced cucumber
A Pozharsky cutlet (Russian: пожарская котлета, pozharskaya kotleta, plural: пожарские котлеты, pozharskie kotlety; also spelled Pojarski) is a breadedgroundchicken or vealpatty that is typical of Russian cuisine. A distinct feature of this cutlet is adding butter to minced meat, which results in an especially juicy and tender consistency. The dish was created in the beginning of the 19th century in Russia and later adopted by French haute cuisine. (Full article...)
Anton Pavlovich Chekhov (/ˈtʃɛkɒf/; Russian: Антон Павлович Чехов, IPA:[ɐnˈtonˈpavləvʲɪtɕˈtɕexəf]; 29 January 1860 – 15 July 1904) was a Russian playwright and short-story writer. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress."
Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." The plays that Chekhov wrote were not complex, but easy to follow, and created a somewhat haunting atmosphere for the audience. (Full article...)
A Russian missile strike on a residential building in Poltava, Ukraine, reportedly kills at least fourteen people and injures at least 17 others. A separate strike kills three police officers in Sumy Oblast. (Reuters)
... that street artist TVBoy, known for his murals of footballers in Barcelona, painted uplifting art in regions of Kyiv ahead of the one-year anniversary of the 2022 Russian invasion?
In my view, the composer, just as the poet, the sculptor or the painter, is in duty bound to serve Man, the people. He must beautify human life and defend it. He must be a citizen first and foremost, so that his art might consciously extol human life and lead man to a radiant future. Such is the immutable code of art as I see it.
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